蕭北辰

蕭北辰繪畫作品編年錄 第二冊 2003-2008

蕭北辰 SHIAU Bei-Chen

NTD300

尺寸(cm):25 x 28.7 x 0.6

ISBN:9789579769679

繼2003年的第一本畫冊後,本書為蕭北辰的第二本作品編年錄,收錄其自2003至2008年間的系列作品及兩篇創作自述、一篇藝評,分別置於本書的前半部分。蕭北辰此一階段的創作,延續了先前對影子與蠟的熱愛,然而,他早先對於微觀景象的執著已不在,反而開始將注意力放在巨觀風景上。本書所收錄的「昫 2006」及「工作室景系列」便是屬於巨觀風景的描繪。

 

This book is the follow up of the first drawing catalog of SHIAU Bei-Chen released in 2003. As the second drawing catalog of SHIAU, this book includes his works between 2003 to 2008, and two brief statements, one article in the frontal part. In this stage of creation, SHIAU continues his interest in shadow and wax. However, compared to his previous concern of microscopic vision, he started to divert his attention to the macrostructure. The two series included in this book, “Warmth 2006” and “Studio Landscape” are both exact depiction of macrostructure.

 

 

 

購買畫冊

蕭北辰繪畫作品編年錄 第一冊1996-2002

蕭北辰 SHIAU Bei-Chen

NTD300

尺寸(cm):20.5 x 29.8 x 0.9

ISBN:9789579769631

蕭北辰自留學英國時期對影子的模糊與曖昧性產生興趣,此後多年間不斷探究曖昧視覺藝術的發展性,並以不同媒材呈現事物不同的模糊性。本書所收錄蕭北辰1996至2002年的作品,主要以「蠟」表現物體與影子之間的物理性厚度及視覺距離感。此外,本書另收錄一篇創作自述,及兩篇評論。

 

Since studying in UK, SHIAU Bei-Chen has been breeding his interest in shadow, particularly its vagueness and ambiguity. He has applied different materials to present the ambiguity between textures. This book captures SHIAU’s works from 1996 to 2002, in which he mainly used “bleached white beeswax” to manifest the physical thickness and visual sense of distance between subject and shadow. In addition, this book also includes a statement written by SHIAU, and two articles written by critics.

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