《生物群系 C19》— Abdus Salam個展

2020年世界經歷了非比尋常的改變。動盪的時代引發了新的議題，改變了我們以往的習慣與交流方式。人類的同理心和忠誠感日益消亡，而Abdus認為，傳染病“ Covid-19”可以說是造成這種新常態產生的主要原因。

作為藝術家，Abdus Salam以充滿壓迫性的方式來呈現這次的畫作，以呼應疫情大流行的全球現象。值得玩味的是，在現實社會中人們因為對於病毒的恐懼，加深並種下了許多不安的因子；而Abdus的畫作刻意使用了鮮豔的色彩，令人直觀地感受到生氣盎然的歡快氣氛。與現實成反比，藝術家想向觀者傳達的是世界上仍然是充滿希望與喜悅，我們必須保持對生活的熱情。而在另一方面，Abdus身為一位多熟善感且生性多疑的藝術家，其特點為在作品中呈現了各種富含隱喻的擬人角色，他們的形體皆是抽象、扭曲且變形的。這樣的風格，巧妙呼應了在Covid-19的影響下，人們對未知的恐懼所導致困惑及不理解，使世界的樣貌漸漸不再清晰。

人的生命如陰陽學說，有著無限的可能性。我們的生活伴隨著困難、希望和解答，即使在黑暗的深淵中，總會有一絲光線提供溫暖。而這些真實存在的光芒，得以讓我們克服艱辛並找出未來的方向。

It was an extraordinary experience in which the turmoil of the times triggered new battles that changed habits, and interact with each other in 2020. Empathy and loyalty are increasingly at stake. This is the new normal of the "Covid-19" epidemic effect.

As an artist, Abdus Salam responded to the impact of the world pandemic by expressing it through paintings that were expressed in an irresistible manner. In inverse proportion to the reality, the atmosphere of fear, fear, and terror of the virus makes all the people of the world's population uneasy. But Abdus Salam packed it with bright colors, lively, more impressive about pleasure, Abdus Salam clearly wanted to convey to everyone that we still have hope and pleasure, which must be maintained for a zest for life. But on the other hand, Abdus Salam remains a man who has anxiety, misgivings in thinking as an artist, also has anxiety, implied in his paintings with the embodiment of figures disguised with the processed form full of abstractions with distortion, and deformation of Abdus Salam's style. As if describing the lack of clarity over the impact of this pandemic, which makes people confused, it is not clear what kind of world this really is.

 like yin and yang, there is always a possibility in life. Problems, solutions Hopes, and answers have become life partners. In the dark, there is always a bright spot that will provide light even though far, but the light is there as a certainty and can make us know the direction in penetrating time and space.