蕭北辰繪畫作品編年錄 第二冊 2003-2008

蕭北辰 SHIAU Bei-Chen

NTD300

尺寸(cm)：25 x 28.7 x 0.6

ISBN:9789579769679

繼2003年的第一本畫冊後，本書為蕭北辰的第二本作品編年錄，收錄其自2003至2008年間的系列作品及兩篇創作自述、一篇藝評，分別置於本書的前半部分。蕭北辰此一階段的創作，延續了先前對影子與蠟的熱愛，然而，他早先對於微觀景象的執著已不在，反而開始將注意力放在巨觀風景上。本書所收錄的「昫 2006」及「工作室景系列」便是屬於巨觀風景的描繪。

This book is the follow up of the first drawing catalog of SHIAU Bei-Chen released in 2003. As the second drawing catalog of SHIAU, this book includes his works between 2003 to 2008, and two brief statements, one article in the frontal part. In this stage of creation, SHIAU continues his interest in shadow and wax. However, compared to his previous concern of microscopic vision, he started to divert his attention to the macrostructure. The two series included in this book, “Warmth 2006” and “Studio Landscape” are both exact depiction of macrostructure.

蘇孟鴻2004-2008

蘇孟鴻

NTD500

尺寸(cm)：28 x 24 x 0.9

蘇孟鴻善於挪用中國傳統的花鳥元素，將其改造為其一貫俗艷、浮誇、倏忽即逝的視覺語言，再與現代印刷技術結合，創造出風格獨具的拼貼畫。本書收錄蘇孟鴻自2004年至2008年間作品，包含知名的《開到荼靡》三系列及《奇淫合歡散》，而除了藝評，本書開頭也收錄了一篇由蘇孟鴻所寫，十分值得玩味的創作論述，極具收藏價值。

SU Meng-Hung, exceled in appropriating Chinese traditional bird-and-flower paintings, transforms images with his flashy, resplendent, transient visual impression. Combining hand drawing and modern printing techniques, SU creates his stylistic collages. This book captures SU’s famous work series, including “Shadow,” “Distortion,” and “chi-in- ho-huan-san.” In addition to art essays, beginning of the book lies SU’s statement, which is worthwhile to ruminate over, and to collect.

MUTATION 突變

郭奕臣 KUO I-Chen

NTD500

尺寸(cm)：16.6 x 26.4 x 1.5

ISBN:9789579769686

郭奕臣，台灣新生代藝術家中的佼佼者，是為台灣歷屆參與威尼斯雙年展最年輕藝術家，作品多是透過行為藝術處理個人生命經驗。本書為郭奕臣初入藝壇後，及至2008年間的作品集錦，除包含作品錄像DVD，書中也節錄了郭奕臣訪談及藝評，更收錄了郭奕臣創作時的手稿及記錄影像。

KUO I-Chen, a well-known figure among the young generation of Taiwanese artists, is so far the youngest artist representing Taiwan in Venice Biennale. KUO’s works mostly elaborate on the artist’s personal experience in life. This book includes KUO’s works from the year he starts creating art, to the year of 2008. In addition to the work video, this book also excerpts parts of KUO’s interview, the art essay, his hand script, and documenting images.

王俊傑作品 若絲計畫:愛與死

王俊傑

NTD280

尺寸(cm)：24.1 x 17.2 x 0.8

ISBN:9789868720701

「若絲計畫:愛與死」以杜象最後一件大型裝置作品《給予：1.瀑布，2.照明的煤氣》為發想藍本，透過木門上的小洞，窺視慾望、情色、恐懼、神秘、自然與死亡。透過若絲計畫中種種遮蔽的、不可見的事物，王俊傑再次提出「藝術是什麼?」這個古老議題。書中除收錄「若絲計畫」系列作品，也刊載策展人黃建宏與王俊傑的對談及其創作理念。

“Project Prose: Love and Death” is inspired by Marcel Duchamp’s last large installation, Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage. Through peephole on the door, desire, erotica, fear, misery, nature, and death is stealthily observed. From the covered, invisible subjects bred in Project Prose, WANG Jun-Jieh responds to the old, dusky civilizing question again: “What is Art?” This book, in addition to the series of work in “Project Prose,” also published an interview between curator HUANG Chien-Hung and WANG Jun-Jieh, and the statement of the artist.

林珮淳夏娃克隆系列 2011

林珮淳 LIN Pey-Chwen

NTD300

尺寸(cm)：26.6 x 20.6 x 0.5

ISBN:9789868720718

「反迷思最好的武器是以他的方式將他迷思化」。林珮淳透過體態完美無瑕的人工女體夏娃克隆，諷刺人類文明中的科技迷思及父權主義，對人類科技無上限的進程提出批判。林珮淳耕耘此系列已超過十年，本書收錄其2011年夏娃克隆計畫的系列作品，創作理念，及三篇由林宏璋、安托列塔•伊凡諾娃、及吳介祥所撰藝評論述。

“Best Weapon Against Myth is Perhaps to Mythify It in Its Return.” Through an artificial woman body with perfect figuration, LIN Pey-Chwen ironizes technology worshipping and patriarchism in human civilization, criticizing people’s endless pursuit for technological advances. More than ten years has LIN been breeding this whole series. This book includes her works for “Eve Clone Series” in 2011, her statement, and three art essays written by LIN Hong-John, Antoanetta Ivanova, and WU Chieh-Hsiang.

林珮淳夏娃克隆系列 2012

林珮淳 LIN Pey-Chwen

NTD500

尺寸(cm)：26.5 x 20.5 x 0.8

夏娃克隆是一個人與蝴蝶結合的雜體，林珮淳以此警惕科技的過度發展，夏娃克隆猶如一種不符合自然的生命體，這樣的科技將會帶給人類之淺藏危機，此外，夏娃克隆的完美女體也是一種對於父權幻想和物化女體的直接挑釁。畫冊中除了收錄了林珮淳《夏娃克隆》系列的新創作外，還收錄了林宏璋等人所撰七篇藝評論述。

LIN Pey-Chwen uses Eve Clone, the mixture of human and butterfly, to warn the over-developed technological civilization. As an unnatural life form, Eve Clone represents the hidden threat technology may bring to human society. Additionally, the flawless figure of Eve Clone is a direct challenge to patriarchal imagination and female body’s objectification. Within the book, LIN’s new series of works and seven essays written by LIN, Hong-John and the others are included.

耿皓剛 KENG HAO KANG

耿皓剛 KENG HAO KANG

NTD350

尺寸(cm)：21 x 14.9 x 0.6

曾任職於流行設計業的耿皓剛，善於把另類流行混搭在一起，藉由不斷變換不同的風格，耿皓剛試圖不讓藝術被定義成某種固定樣式，也不願意某些藝術被歸類為「過氣」或是「當代」。本書收錄了耿皓剛2010年至2012年的作品，在他的作品中可以看出他對某種現狀質疑和挑戰的思想立場。

KENG Hao-Kang, who had worked in fashion industry, is an expert in alternative fashion mash-up. By constantly changing different styles, KENG tries not to define art in a concrete form, and not to categorize it as “out-dated” or “contemporary.” This book includes KENG’s works from 2010 to 2012. Viewers see his query to the status quo, and his questioning attitude.

耿皓剛 KENG HAO KANG

耿皓剛 KENG HAO KANG

NTD350

尺寸(cm)：25 x 18.5 x 1

畫冊中收錄了耿皓剛2011至2013年繪畫、物件、攝影及手稿共48件作品，耿皓剛因有跨文化的經驗背景，所以他的作品呈現各種流行文化的圖像與豐富激昂的色彩，不僅如此，運用點、線、面與色彩的多層疊圖像手法，統合所有圖像及顏色，形成耿皓剛特有的創作特徵。

The book includes 48 works of KENG Hao-Kang from 2011 to 2013, including drawing, device, photography, and hand script. Because of his cross-cultural background, KENG presents all sorts of pop culture icons and vivid colors in his works. Moreover, he applies multiple layers of point, line, surface, and colors, combining all the images and color, and produces his own unique trait in art creations.

有意無意

廖文豪 LIAO Wen-Hao

NTD200

尺寸(cm)：29.7 x 21.1 x 0.7

廖文豪，畢業自華梵大學美術研究所書法研究組，擅長於當代水墨，自每日臨摹字帖之中汲取養分，將中國書法的柔美線條及構圖轉化至美術創作中。本書為廖文豪首次個展「有意無意」所出版畫冊，完整展現了廖文豪對自然山水的嚮往，書中除收錄近期水墨作品，也附上廖文豪所寫的短詩，以及由張禮豪所撰寫的評論一篇。

LIAO Wen-Hao, graduated from Hua Fan University, Department of Fine Arts, Master Degree in Chinese Calligraphy of Fine Arts, adepts in contemporary ink painting. LIAO imbibes the spirit from his everyday practice of calligraphy, transforming the graceful lining and composition of pictures into aesthetic creations. This book is the work volume for LIAO’s first solo exhibition “Intentionally or Otherwise,” thoroughly representing his admiration for mother nature. In addition to the work pieces, this book also includes short poems composed by LIAO, and a critic essay written by CHANG Li-Hao.

盛艷紅塵

柳依蘭 LIU Yi-Lan

NTD350

尺寸(cm)：29.6 x 21.1 x 0.7

ISBN:9789868720756

以風格強烈的人物肖像聞名的柳依蘭，大半生皆在菜市場中度過，其作品所傳達的多為批判社會陋習或對女性的不平等觀念，每一幅畫都是一個場景，其中大多是自畫像，場景中的女主角都是她自己。畫冊中收錄系列包括《致命的吸引力》系列、《天上掉下來的禮物》、《我們無從得知真相》……等畫作。

LIU Yi-Lan, famous for her vigorously styled portraits, spends most of her lifetime in traditional market. Her works, consequently, elaborate mainly on traditional corrupt customs or inequalities against women. Every piece of work is a drama scene, most of which self-portrait, and LIU becomes the protagonist in every painting. This catalogue includes several series of works, “Fatal Attraction,” “Godsend,” “We Have No Method to Know the Truth,” etc.

生物學家

張騰遠 CHANG Teng-Yuan

NTD100

尺寸(cm)：21 x 13 x 0.3

「關於未來，你還記得什麼」。

未來，張騰遠在這所指的未來不再是關於時間的描述，而像是一個似乎曾經到過的地方，實際上卻不曾去過。畫中鸚鵡人(未來人)利用各種方式去記住「未來」，透過認識(誤解)末日前的地球的鸚鵡人，反思我們現今社會中各種荒謬卻習以為常的事。

“What do you remember about future?”

The Future, referred by CHANG Teng-Yuan here, is not for time description, but for somewhere seemingly been to, but never been to in actual. The parrot man, man from the Future, in CHANG’s works, uses all sorts of ways to remember “the Future.” Through understanding (misunderstanding) the parrot man, who visits from Earth before Doomsday, spectators earn the chance to retrospect on ridiculous, but taken from granted, things.

側視術

張騰遠 CHANG Teng-Yuan

NTD500

尺寸(cm)：29 x 21 x 0.9

ISBN:9789868720763

此本畫冊收錄藝術家張騰遠2008~2014年間作品，從《鸚鵡人X地球考古》系列、《眼球試驗部》系列到《有爆炸的風景》系列，如同書名一般，張騰遠的作品總會提供特別的視點給觀者，讓觀者「側視」，成為不同角度的旁觀者。

The drawing catalogue has compiled CHANG Teng-Yuan’s works from 2008 to 2014, including “Parrot Man x Archeology,” “Department of Eye Experiment,” and “The Scenery of Explosion.” As title of the catalogue, CHANG’s works offer a distinctive spectacle for viewers, enabling viewers to “bystand,” being an onlooker observing from different angles.

不是步伐而是詩

徐夢涵 HSU Meng-Han

尺寸(cm)：23.7 x 23.7 x 1.6

NTD890

ISBN:9789868720770

失落和創傷是伴隨著生命的陣痛，我們既無法忽視也無法否定它的存在，但只要追尋其自身代表的價值，理解生命中的美好，那麼將會跨越生死，跨越傷痛，慰藉你我的心靈深處。

徐夢涵作品中大量出現人體、血管及蝴蝶。身體和血管代表著生命的流動以及稍縱即逝的片刻美麗；蝴蝶則具有多重象徵。

Loss and trauma are pains unneglectable in life, as we cannot ignore or negate its presence. However, if we follow our values, realizing the merriness of life, then we will cross the borders between life and death, between pains, and receive comfort for the inner soul of you and me. HSU Meng-Han applies human bodies, blood vessels, and butterflies abundantly in her works, within which human bodies and blood vessels represent the flow of lifes and transient beauty, and butterfly has multiple layers of symbolic meanings.

一思一念 Mind Flow

廖文豪 LIAO Wen-Hao

NTD1200

尺寸(cm)：25.6 x 25.6 x 2

畫冊中收錄了近期廖文豪的作品「舊畫新作」系列以及早期的「山水人」系列，近期的畫作中經常出現跨越畫面的塗改痕跡或是一些與以往不同的繪畫手法，但廖文豪依舊維持著「形摹」與「意臨」兩者極端之間的平衡。

This drawing catalogue of LIAO Wen –Hao includes LIAO’s “Re-creation of previously-created works” and “Human Mountains,” series in the early stage. In LIAO’s recent works, often there are signs of erasure or drawing techniques different from the past, but LIAO still manages to strike the balance between the two extremes, “copying forms” and “reappearing the intentions.”

渾沌之地 混種之島

On the Land of Chaos, the Island of Hybridity

黃祈文、張騰遠、徐畢華、蕭耀、周慶輝、戴壁吟、張般源、黃承遠、

莊志雄、徐永進、黨若洪、宜德思．盧信

NTD100

尺寸(cm)：25.7 x 18.4 x 0.45

第十三屆ART.FAIR科隆藝術博覽會，台灣當代藝術特展「渾沌之地 混種之島」，由策展人徐文瑞及十二位台灣當代藝術家協力舉辦，從台灣本地經驗出發，關注現代性中人與自然的關係，展現藝術與人文的反覆辯證。畫冊中收錄策展人與藝術家的簡歷、創作自述，及參展作品。

“On the Land of Chaos, the Islands of Hybridity,” Taiwan contemporary art show in the 13th ART.FAIR Cologne, was co-organized by curator HSU Manray and twelve Taiwanese contemporary artists. Starting from native perspective, they observe the relations between human and nature in modernity, and manifest the relational dialectics between arts and humanities. This book includes CV, statement, and work pieces for the curator and the twelve artists.

凝關 A Sympathetic Gaze

柳依蘭LIU Yi-Lan

NTD450

尺寸(cm)：20.7 x 20.4 x 1.2 cm

ISBN:9789868720794

凝．關

聚焦在生命的關懷和想望

聚焦在一個創作者對創作的態度

聚焦在創作和生命都是一種修行的過程

聚焦在由真與善而滲出的美與愛

My gaze and sympathy address themselves to life,

Focusing on the solicitude and yearning of life,

The artist’s attitude toward art,

The regard that both processes of art making and life are practices,

And the overflowing beauty and love sourced from truth and goodness.