風輕日暖 - 作為一席風景
展出藝術家|柳依蘭,張騰遠,廖文豪,蘇子涵
開幕時間|2016/03/18 6:30pm
展覽時間|2016/03/18 – 2016/04/24
展覽地點|新苑藝術
開放時間|1pm - 6pm (Tue - Sun),週一與國定假期休
The Silver Lining of Art
Artists|LIU Yi-Lan, CHANG Teng-Yuan, Liao Wen-Hao, Su Tzu-Han
Opening|2016/03/18 6:30pm
Time|2016/03/18 – 2016/04/24
Venue|Galerie Grand Siècle
Open Hours|1pm - 6pm (Tue - Sun),Closed on Monday.
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
開幕紀錄
展覽空間紀錄
展覽空間紀錄
展覽空間紀錄
柳依蘭 希望的帽子The Blossom of Hope 油畫Oil on Canvas 91x117cm 2015
廖文豪 仙風煮茶圖 水墨絹本設色Ink on Silk 70x90cm 2015
廖文豪 問余何意棲幽山 水墨絹本水墨紙本設色Ink on Silk and Paper 182x80cm 2015
柳依蘭 睜開你的眼To See and to Seek 油畫Oil on Canvas 46x38cm 2016
張騰遠 不曾關閉的動物園 壓克力顏料畫布Acrylic on Canvas 162x130 2016
張騰遠 聖像Overlapping 壓克力顏料畫布Acrylic on Canvas 73x60 2016
蘇子涵 四季綠Ever Green 複合媒材Mixed Media 30x30cm 2016
蘇子涵 風平浪靜undercurrent 複合媒材Mixed Media 17x17x20cm 2016
風輕日暖 ── 作為一席風景
新苑藝術三月份隆重推出旗下藝術家聯展:柳依蘭、張騰遠、廖文豪、蘇子涵。四位藝術家於去年仍持續其亮眼表現,並在創作內容、展出空間、形式均有突破。屆此,各界或許獲得較多關於藝術家創作結果的資訊,然而,本次聯展將使用「抽象比喻」,從側面描述藝術家,描述藝術家的創作環境以及生活理念,試圖描繪藝術家們如何作為台灣當代藝術的風景,甚或是台灣溫暖環境下「本土的」、「未來的」、「意念的」、「城市的」風景。
柳依蘭將於新苑藝術首度展出雕塑作品。柳依蘭筆下的人物符號及表現手法,近年臻於成熟,她也以漸進的方式探討其對土地、家庭、社會的愛,一次探討一個議題。她期許,雕塑作品的登場不僅僅是表面上跨領域的嘗試,而能以更加「人性化」的角度,讓心裡的藝術與觀眾溝通,期許溝通能更加直接、真誠和雋永。
張騰遠在2015年赴德國科隆Art.Fair展出,歐洲媒體以「亮眼」、「令人莞爾」等形容詞撰寫張騰遠相關報導,去年張也在Café Showroom展出小雕塑系列,彈性活潑地延展其作品理念,關於末日地球的再創造 (Reinvention),張將以更無厘頭、跳接的方式呈現。本次聯展,張騰遠將發表尚未曝光的全新系列。
廖文豪近期關注水墨工筆與寫意之間的過渡區域,作品帶有魔幻寫實的味道。毛筆為創作的載體,流著中國美術史的血液,儘管如此,廖文豪仍試圖打破水墨的既定藩籬與觀念,順從心的律動,追求「點畫信手煩推求」的境界。去年廖也發行集結10年創作的作品集《一思一念》,除了透過文字、圖像了解藝術家,本次聯展也將營造其工作室空間,邀請觀眾一同品味水墨創作的韻味。
蘇子涵,一月剛在洛杉磯LAM Gallery、新加坡Art Stage Singapore兩地展出,她利用環氧樹脂建造的城市小故事,具體剖析巨大都市裡的共時性 (Synchronicity),她的表現手法不僅觸及人內心最柔軟的地方,啟發對甜美的想像,同時也能嚴肅探討快速演化的資訊社會。她的新作裡住進了小動物,舒適與危機並存,輕聲道出都市裡的危險存在。
本次聯展《風輕日暖──作為一席風景》將提供更多互動形式,深入觀眾與藝術家的交流。藝術家的創作環境、生活理念能為作品提供更多說明,甚至補足觀眾在原先的解讀裡缺失的那一條線索。將藝術家視為藝術的主體,以及藝術的一部分,於此同時,觀眾亦將融入藝術的風景裡。
The Silver Lining of Art
Galerie Grand Siècle excitedly presents its first exhibition of the year 2016— group exhibition in March, 2016, The Silver Lining of Art: LIU Yi-Lan, CHANG Teng-Yuan, LIAO Wen-Hao and SU Tzu-Han. These four artists have made remarkable progress last year in terms of expression, form and exhibition experience. For now, it is fair to say that audience from all walks of life receives the information about the artistic results of them; however, it could be supplemented by a more comprehensive perspective on the artists as part of the scenery of Taiwan’s contemporary art. This exhibition draws the narratives of the artists extending to their primary thoughts and faiths in lives, trying to look into the artists as part of the scenery of Taiwan’s contemporary art, which features “local”, “future”, “contemplative”, “urban” scenery of Taiwan.
LIU Yi-Lan’s sculpture work will be firstly exhibited in Galerie Grand Siècle. These years, LIU’s brushes and symbols of figures turn more euphemistic, walking gradual steps to unfold the serious topics of love toward local land, family and society; one issue tackled per work. Through sculpture, she expects herself, not merely overcoming dimensions, but reach deeper communications with audience, eliciting “humane” concerns on artists for a lasting communicative experience.
CHANG Teng-Yuan went to Art.Fair, Cologne Germany in 2015. Studio International published in NY described CHANG as “brilliant” and “amusing”. CHANG also presented his small sculpture series in Café showroom, elastically expanding his artistic concepts based on the reinvention of earth after the doomsday. In this exhibition, his latest series will flip over audience’s imagination by jumpcuting the genres of humor.
LIAO Wen-Hao is currently challenging and experimenting on the transitional area between fine brush and free sketch. His works reflect the gleams of magical realism. It is reasonable to track the ink brush with its background of Chinese art history; nevertheless, LIAO insists on surpassing the boundaries and stereotype on ink painting. He follows the mind flow in pursuit of ancient Chinese literati’s ideal “letting nature guides the wilding of brush”. This exhibition will re-present a part of his studio, trying to provide clues behind artist’s creation. It also encourages contemporary audience to taste the essence of historical ink painting.
SU Tzu-Han just came back from the exhibitions at LAM Gallery, LA and Art Stage Singapore 2016. Her epoxy-built cities accommodate interesting stories sharing the synchronicity of the whole entity. Her techniques of expression not only touch one’s pure heart with lovely embellishment, but bring up the serious concern on the fast-evolving city. In her latest works live a few ignorant animals, implying the jeopardy in the co-existence of civilization and nature.
This group exhibition The Silver Lining of Art provides interactive artistic environment for audience. It is believed that perceiving the artist as a part of his or her works could probably make up the missing point in one’s interpretation. In addition, we hope the scene of this exhibition could be further completed by the silhouette of audience.
新聞稿
press
© 2015 Galerie Grand Siècle All rights reserved.